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Don’t you think there is enough anxiety at present?

CHRISTOPHER ALEXANDER: The thing that strikes me about your friend’s building — if I understood you correctly — is that somehow in some intentional way it is not harmonious. That is, Moneo intentionally wants to produce an effect of disharmony. Maybe even of incongruity.

PETER EISENMAN: That is correct.

CHRISTOPHER ALEXANDER: I find that incomprehensible. I find it very irresponsible. I find it nutty. I feel sorry for the man. I also feel incredibly angry because he is fucking up the world.

Peter Eisenman and Christopher Alexander discuss architecture.

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Our present financial ethos no longer even resembles conventional capitalism, which at least implies a brutal Darwinian free-for-all, however one-sided and unfair. Instead, we have a situation where the banks seem to be an untouchable monarchy beyond the reach of governmental restraint, much like the profligate court of Charles I.

Alan Moore on the appropriation of V for Vendetta’s main character in the Occupy protests.